以日常生活和個人感受為創(chuàng)作靈感，我喜歡從感性的視角出發(fā)捕捉世俗生活中的獨特之處。

關于我的作品《被舍棄的》的創(chuàng)作根源是“天地不仁以萬物為芻狗”。這句話源于道教，表達了萬物的平等。這就是我采用龍眼殼作為基礎材料來制作精致的小酒杯的動機。當觀眾仔細觀察、觸摸并且把玩它們的時候，他們會驚訝于我所用的材料和技藝。所以我想通過這種方式創(chuàng)造材料的平等性。

除此之外，《沖動》系列里我思考手感與首飾之間的關系。皮毛質(zhì)地在心理上能給人類帶來滿足感，所以我使用皮毛與磁鐵來構建手感設計。《醋=血液》將我的故鄉(xiāng)—鎮(zhèn)江，我成長的記憶直觀的呈現(xiàn)給觀者。

我的首飾既涉及到直觀的視覺影像，也是情感火花閃現(xiàn)的瞬間。我鼓勵觀眾與作品的互動，不僅指生理上的活動而且指精神上的感知。

Using daily life experience and personal feelings as inspiration, I like to capture the unique in mundane life from the emotional perspective. 

Concerning my work “The discarded”, used “天地不仁以萬物為芻狗” as the source of my creation. This Taoism philosophy expresses the equality of everything. So, this is the motivation I used Longan shells as the fundamental materials to make elegant mini cups. When the audiences observe, touch and play with them, they will be surprised by the material and technique, so through that to create the equality of material. Fur would make us feel satisfied, that’s the reason I used fur and magnet to create changeable jewellery pieces. “Vinegar= Blood” collection is an invitation to make viewer get to know my hometown- Zhenjiang, and my childhood memory.

My work refers to both intuitively visual image as well as a moment of emotional spark flashing.I encourage audience to interact with my work,not only physical action but also mental sense.