我希望可以通過(guò)室內(nèi)與建筑設(shè)計(jì)的各個(gè)方面來(lái)表達(dá)我對(duì)我的想法與對(duì)建筑、環(huán)境與人相互關(guān)系的理解。我希望我的設(shè)計(jì)可以讓作為設(shè)計(jì)師我希望讓空間有自己的語(yǔ)言和表達(dá)方式，與周?chē)h(huán)境更好地融合，并帶給用戶(hù)更加舒適和印象深刻的使用感受。

預(yù)科期間的第一個(gè)項(xiàng)目《soft space》的設(shè)計(jì)靈感來(lái)自于鹽田千春作品中對(duì)于的網(wǎng)和線使用。作為初學(xué)者我通過(guò)手部動(dòng)作和絲網(wǎng)的翻折拉伸建立了對(duì)空間和建筑骨架的理解。通過(guò)模型構(gòu)想了一個(gè)綜合商業(yè)中心中庭區(qū)域的藝術(shù)的裝置我希望他可以兼具實(shí)用性和觀賞性，因此我將他的一部分設(shè)計(jì)成：可一些不規(guī)則形狀的長(zhǎng)凳，而后方空間設(shè)計(jì)為行走通道，體現(xiàn)了我在模型制作期間對(duì)包裹這一視覺(jué)語(yǔ)言的運(yùn)

《A sense of distance and belonging》是我為Prada設(shè)計(jì)的一個(gè)快閃店。在建筑整體的構(gòu)建上我參考了Prada服飾的一些廓形和剪裁，運(yùn)用棱角分明的線條和大量的三角體確立了建筑的造型基礎(chǔ)，并決定用Prada標(biāo)志性的尼龍面料作為建筑的墻體。同時(shí)我將這個(gè)建筑設(shè)計(jì)為半開(kāi)發(fā)的結(jié)構(gòu)，透明玻璃與實(shí)體墻形成對(duì)比，聯(lián)系了一部分的內(nèi)外空間，也為使觀眾帶來(lái)輕松的氛圍。而尼龍布則會(huì)將部分展陳內(nèi)容遮擋，以此增加神秘感，吸引外部觀眾進(jìn)入店內(nèi)探索。

在我看來(lái)，隨著社會(huì)的快速發(fā)展，人們對(duì)居住環(huán)境的要求越來(lái)越高，從簡(jiǎn)單的遮風(fēng)擋雨到如今的舒適、美觀、實(shí)用并重，這為室內(nèi)設(shè)計(jì)行業(yè)帶來(lái)了新的挑戰(zhàn)。。我希望在將來(lái)的學(xué)習(xí)中，我希望可以融合更多跨專(zhuān)業(yè)知識(shí)，為建筑和室內(nèi)設(shè)計(jì)帶來(lái)新的發(fā)展。

CHEN Junwei

Interior Design 

I hope that I can express my ideas and understanding of the relationship between architecture, environment and people through all aspects of interior and architectural design. I hope that my design can make the space have its own language and expression, better integrate with the surrounding environment, and bring users more comfortable and impressive experience.

The design of <soft space>, the first project during the preparatory period, was inspired by Chiharu Shiota's style of using nets and wires in her art work. As a beginner, I built my understanding of space and architectural framework through hand movements and the folding and stretching of silk screens. Through the model, I expressed my concept of an artistic installation in the atrium area of a comprehensive business center. I hoped that it could be both practical and ornamental, so I designed part of it as a bench with irregular shapes, while the rear space was designed as a walking passage, reflecting my efforts to utilize the visual language- wrapping during the model making.

<A sense of distance and belonging> is a pop-up store I designed for Prada. In the overall construction of the building, I referred to some silhouettes and cuts of Prada clothing, established the modelling basis of the building by using angular lines and a large number of triangular bodies, and decided to use Prada’s iconic nylon fabric as the wall texture of the building. At the same time, I designed the building as a semi-open structure, where the transparent glass contrasts with the solid wall, connecting part of the internal and external space, and also bringing a relaxed atmosphere to the customers. The nylon cloth will hide part of the inside display content so as to increase the mystery and attract external visitors to enter the store to explore.

In my opinion, with the rapid development of society, people's requirements for living environment are getting higher and higher, from simple shelter to today's comfort, beauty and practicality, which brings new challenges to the interior design industry. I hope that in my future study, I can integrate more cross-professional knowledge and bring new development to architecture and interior design.